Showing posts with label Movies. Show all posts
Showing posts with label Movies. Show all posts

My Name is Khan and I am not a terrorist

“  Just finished watching the superb My Name Is Khan and here are the tweets that I made while watching  MNIK. My twitter page could be found here. Share your experience with me. “

MNIK

It went wrong that we got Shivsena seeming against with it, but MNIK requires support in much broader sense. Its not about Shivsena, its not about Hindu-Muslim or Hindustan-Pakistan, its about humanity and about the lesson that the name doesn’t make a man terrorist.

    • movie ends here and sorry its spells as Rijvan not Rijwaan. Jut seen credits.25 minutes ago from web

    • So finally Rijwaan meets Obama. That really gives goose bumps. Hats off28 minutes ago from web

    • In my tweet I was wrong about that Obama thing, how could they would have made such a bluder after making such a great movie.31 minutes ago from web

    • MNIK really makes you in tears at places and give you goose bumps. This movie gonna make big internationally. Fingers crossed :)39 minutes ago from web

    • Really this time some movie come to match and surpass RDB. Hats off. I am liking MNIK & I am not a terroristabout 1 hour ago from web

    • SRK really got gold mine with Shivsena protest .... The protest suited storyline really too much well.about 1 hour ago from web

    • the story picking up pitch now with the tagline ... I am with Rijwaa kha and I am not a terrorist.about 1 hour ago from web

    • i really thought that they will use actual Obama's clips or at least look alike but they didnt even kept a black actor. Disappoiting ...about 1 hour ago from web

    • not only MNIK's Rijwaan was the one, who cant sense unspoken words, many of us cant. But u kow its more hard to us when we can ..about 1 hour ago from web

    • liked the way MNIK kept it simple yet effective. Sorry Shivsena!! You picked it on wrong. Must be regreting nowdaysabout 1 hour ago from web

    • till now no bollywood movie has picturised 9/11 in this much large and effective ways. MNIK gonna to ruleabout 2 hours ago from web

    • we have seen hritik in different roles like in koi mil gaya but SRK is on better ways. Impressed!! After chak de indiaabout 2 hours ago from web

    • with tied hairs kajol sometimes looks like my sis, Neeru .....about 2 hours ago from web

    • there are always simple and weired ways to come out hard things. Fluctuating between things works nicely ;)about 3 hours ago from web

    • kajol has its own charm always. Different than kabhi khushi kabhi gam and fanaaabout 3 hours ago from web

    • Its not easy to find humor to make everyome smile out of even miserable things, hats off MNIK. Interesting salsemanabout 3 hours ago from web

    • so, here it started ... My name is khan and .... I am not a terrorist. Tried to cover lots of things in a tight startabout 3 hours ago from web

I will come back with a full review over the same movie soon.

Watch and Show Hindi Movies online

Many people might be searching for such titles, whenever some movie get released. Sometimes due to poor cam quality of CDs / DVDs that hit to market in early rounds or just for free access of movies. Its been illegal since long, but was an already established trend to download movies online, which seems to be much difficult to stop or keeping track of. It seems that finally movie business started to respond in creative ways.

First I got to hear some weeks back that 3 Idiots will come online on YouTube after 12 weeks of release as announced by the director itself and today when I was just checking my subscriptions, then came across an article from Digital Inspiration that says about the collection of Hindi movies already online. Fun is that these are legal to be distributed like normal YouTube links. I am not sure about Revenue Sharing Program of YouTube, but many big banners like Shemaroo Entertainment, Rajshri and UltraHindi already seems to join the same.

This might be good way to get profit from dead market big movies of past. Whatever, but its a too good news for movie lovers, they could get hold on their favourites, whenever and wherever they want… not to mention.. all the movies are available in high quality. :)

For Popular Hindi Movies Collection, check out the link

For All Movies Collection including English and others, check out the link

Giving you some of the best movies online in full here, Enjoy


Maine Pyar Kiya

Dhamaal


Mumbai Salsa: Amazing Movie


Hera Feri


Sarkaar

Vivaah: A Cute Movie


Andaaz Apna Apna: All time fun ride


Hulchal


Bawarchi: Rajesh Khanna's Classic


Wake Up SID: A bit of me, a bit of you


Has this happened with you sometimes that a guest of yours asks about yours completely in chaos living room and you say that Yaar! Just not getting time since last two three days and was going to arrange this all by tomorrow on off day and just then your room partner or neighbor smiles a bit leaving you embarrassed inside, as you know that it's in chaos since last one month or almost always ;). Has it not happened with you that in each next exam you thought that last time, you decided to be more concerned for studies? Has not this happened to you that just after college, you really think that will you really be working for some office any day? I mean what you will do for that office :D You don't know anything? Then go and watch Wake Up SID, it will remind you many pieces of your life. Be sensitive and it's gonna be a cute ride for sure.

Title: Wake up SID
Release Date: 2nd October 2009
Banner: Dharma Productions.
Producer: Karan Johar
Director: Ayan Mukerji
Cast:.Ranbir Kapoor, Konkana Sen, Anupam Kher, Supriya Pathak, Rahul Khanna, Kashmira Shah, Shikha Talsania, Namit Das, Kainaz Motivala
Story Writer: Ayan Mukerji
Music Director: Shankar-Ehsaan-Loy
Lyrics: Javed Akhtar,
Cinematography: Anil Mehta
Dialogues: Niranjan Iyengar
Composer: Amit Trivedi

Waiting for the movie, then watching it with expectations relating with Saawaria and Bachna Aae Hasino, but finding it some much of a better and touching perspective than anything else. May be many people after watching the movie just come out discussing Ranbir and Konkana's unusual on-screen chemistry or thinking about links between Dil Chahta Hai, but for me or many like me, it was something to let us know that at some places, we all are a bit or more of a SID. For me, there were many points to notice in the same movie and I really don't know how to cover them all in a 'little' article (readable in sense). Let me start ….

The story is all about Siddharth aka SID; his just-after-college life like any of us clueless youth about his aims in life and his kind of platonic love story with Aisha; a small town girl with a bit defined aims of life, but still learning bits of life. Then how it crafts SID boy to man (?) or somehow moving into stream of life finally. A platonic love kind of .. not Yash Chopra brand, but a little more real in another sense. Anyway …

Although there was an association with the name of Karan Johar, but there was almost nothing like his element in this movie and so we could agree with his own claim that he left it complete in hands of the debutant director Ayan Mukerji, who shined up with his own simple but beautifully crafted story, mixing it with Music of Shankar-Ehsaan-Loy, live dialogues of Niranjan Iyengar and just in motion with tempo of movie composing of Amit Trivedi.

Sometimes, we know that we are wrong at places or at many places, even we know that what we need to do, but even then feel lazy to move a little as we know that we have change almost everything of our crazy life. No.. it's not shown this much complex on screen, as the story moved just like the same flow, but it ignites many such thoughts in my mind. We get attitude in us and answer rudely sometimes and then trying to patch up again and again on other's arguing about our life and things as we know that they are saying right, but the question is why are they saying? Where are they helping us in changing things to get better for us? Or even if they are doing best for us, then why are we not able to adjust with that as well? Frustration of youth after a few ups and downs with influences of people around you, finally places you in some place of this world, may be you were to be there.

At another end of story, Aisha; knows a little about her aim, her kind of boy, her kind of life, but still knowing or not knowing how she will get or how the things will get mature at the end. Get in touch with SID and didn't get to know that when he brought all chaos of his own life and why she always been with him with all her modesty. May be he was only one around her to accompany her in this new life.

The special part of the movie, which keeps it different from era love story, was their in-compatibility. Aisha was not of Sid's type or he never thought of his type of girl like he never thought of work or life ever and Sid was boy for Aisha, a cute boy, but not dependable man. She get an almost ideal for her in her boss Rahul Khanna, but soon come to know the practically perfect somewhere doesn't suit her soul. There love story was different like the conversation between them says, when SID asks that why didn't they fallen in love for each other rather than being friends only. Aisha replies just coz it didn't happened and later explained that he is never a kind of boy, she would be happy being with for rest of life means he might be cute kid, but not a man in her world. Just this is the love story in its honesty, not a Yash Chopra or mostly known cheesy brand of love, or some kind of we all might know by popularly.

Aisha's devotion and attachment without asking anything, with bearing every little wrong thing of SID, brings Sid towards maturity step by step, which everyone tried, but didn't got him with them in their attempts. Even he tries to change for her, like learning making omelet for her and then disappointment when for her it was like nothing, but just normal. He slowly learns to change his chaotic daily routine and somehow Aisha made him fitted for some office job, while he was clueless that will he do something ever? He knows that he is not what Aisha wish and Aisha knows he is fine, but should have been more perfect, but even then they want company of each other with expressing it. Aisha know that she wish and SID not even know directly, but .. Ranbir was just natural for the role and so was Konkana, the chemistry went truly and most cute was the first date (?) of them. I really liked that coz …… might be been sometimes in :P.

The most special part, which few will start noticing soon was the magical realness in emotions. None of the emotion was loud, be it disappointment and helpless longing of a mother, who continuously tried to be a friend of her son or be it anger and frustration of a father, who want to get his son back in real life or be it Sid's inner anger in failing continuously and dejection from every side or be it growing annoyance of Aisha on her all over stressed life either it be breakup of Sid's friend. Everything was so light that you don't even come to know that it happened and passed. The transition from a laid back thrown to winds attitude to someone who values independence is so subtle and smooth that you never realize when it happened. It is just the denial and dejection that brought about the change which Sid could not feel with his parents.

May be if Aisha would have broke out to shout above a limit or if Sid might have got some more pushed back rejection from life then it was in just other ways? The laid back boy was required only such a lightweight transformation and just this was the special about the movie. Sometimes, we picture a great concept so simply and just wait for someone to notice it, get disappointed a lot and just get satisfied only if just one get notice of the same J

Lots to say about the movie, but stopping the article in kind of middle, coz don't want to raise expectations. Many things to say, but that will be addressed by other's reviews. This was a piece of me. Hope some of you might like it.

Bought an external drive of 1TB

Finally today added another addition into my computer resources. I was running out of disk space now days due to loads of movies and software's even when I had a huge storage amount 1TB, so finally I bought an External Hard Disk of 1TB (based on USB only). Product is FreeAgent Drive from Seagate and the cost of Rs. 5600/-, if I was buying in cash, which I obviously was doing to get it in cheaper.

It was not bad pricing as the last one, which I bought for the Laptop was of 500 GB, but of almost the same cost. So, I guess, I got a good deal.

Now, my next objective was to first shift all the entertainment stuffs like movies etc. into external and then hosting a number of Virtual Machine for fresh series of experiments with technology. I guess you must be thinking that no wonder some of my friends call me a freak.

Bought an external drive of 1TB

Finally today added another addition into my computer resources. I was running out of disk space now days due to loads of movies and software's even when I had a huge storage amount 1TB, so finally I bought an External Hard Disk of 1TB (based on USB only). Product is FreeAgent Drive from Seagate and the cost of Rs. 5600/-, if I was buying in cash, which I obviously was doing to get it in cheaper.

It was not bad pricing as the last one, which I bought for the Laptop was of 500 GB, but of almost the same cost. So, I guess, I got a good deal.

Now, my next objective was to first shift all the entertainment stuffs like movies etc. into external and then hosting a number of Virtual Machine for fresh series of experiments with technology. I guess you must be thinking that no wonder some of my friends call me a freak.

Love Aaj Kal: How practical we can be to handle what we call Love?


We use all the logic to explain things and try to be 'in all the way composed', controlled and logical, but the Almighty-Love remains unexplained and defines its way as "No Reason Reasoning", no matters how much literatures have been spend on it or how much we might have learned from our experiences or other's stories. The time has got just another more realistic expression: The discovery of Love in present context.

Love Aaj Kal

When his girlfriend asks: "Do you love me", Jai, the protagonist of Love Aaj Kal, played by Saif Ali Khan, replies: "Love, who knows what that is?" So, are we? Do we really know what Love is and why we fall in? Let's read something about a movie, which I am going to call The Best Romantic Movie ever seen by me till now. Not because, it's emotional, not because it's modern, not because it's practical, but because its real, very very real. You will regret, as much you delay watching the same. Mind my words, I have never used such praise.

Title: Love Aaj Kal
Release Date: 31st July 2009
Banner: Eros International
Producer: Saif Ali Khan , Dinesh Vijan , Sunil Lulla

Director:
Imtiaz Ali
Cast: Saif Ali Khan, Deepika Padukone, Giselle Monteiro, Shweta Gulati, Neetu Singh, Rishi Kapoor, Rahul Khanna, Vir Das.

Story Writer:
Imtiaz Ali
Music Director: Preetam

Lyrics:
Irshad Kamil

Words of mouth, disappointments on getting All-Booked Status after reaching Multiplexes (that too in Delhi, where you can't find enough good hospital but Multiplexes always nearby), I was sure that Love Aaj Kal was going to bang, after all today's stars Saif and Deepika were looking fantastic in all posters and there was no recent good movie since Dev D, I guess. Film Industry and even the movie goers should have got a sigh of relief with this release, which is sure going to get a reasonable place in all time good romantic movies. The special thing, I noticed was a glimpse of Jab We Met, in the song "Chor Bazari" and a little googling given me the obvious connection, when got to know the name of writer/ director Imtiyaz Ali.

Imtiyaz Ali; it will be the next name after Anurag Kashyap, I will be waiting for watching out. His first movie was Socha Na Tha; A couple, who didn't thought that they are made for each other, the second one was Jab We Met; discovering the commitment of love and now Love Aaj Kal.

Perhaps he knows to pick the best and then get the best from them. The common link between all these movies was the crisp-n-short dialogues and use of bold modern language mixed with traditional cultural hints still scattered between this All-New-Generation. He seems to be in process of silently creating an era like once Yash Chopra created.

Coming over movie, Jai and Meera; a modern age couple meets in London, the first meet clicks enough to share the first romantic kiss and the days pass on figuring out if they are, like, together. That entails mugs of black coffee and lots of smart chatter, and eventually, a parting of ways, because they can't quite get a handle on their feelings. Meera has to India and Jai to US and both of them feel that they are now ahead of the best time they had and now the long distance relationship will only suck. A perfect and logical mutual decision; breaking up with a Breakup Party (Interesting thing na? it was in the movie as well.)

As small para, I have taken here about telling their initial story, the same course of events happened in the same quicker way on the screen; just 15 mins and all above part of story is over, can you believe? Still given a glimpse of many little things as mentioned below.

  1. Many things they don't like, but still like to be with. Like Black Coffee of Jai.
  2. Friends tell them whether they are pair and indeed only friends define that its love. They just accept.
  3. Jai's best aim to reach Golden Gate and Meera's best intrest Fresco; No common interest.
  4. Level of understanding and way of giving space; Boy could expect the girl being understanding that dropping her to home in not the only way to show care.
  5. Common irritation of boys on being girls sometimes too much choosy and concuss while shopping. *That was most interesting point in a way mentioning many things, which were not on screen.

  6. The loss of interest in being committed/ answerable but still coming out in a mutual and outstandingly relaxed and pleasant way for keeping all the good memories intact.

It was nice, but was not the best part of the movie. Movie just started growing up from here and get mixed with another piece of story narrated by now old Veer (Rishi Kapoor), his old age love Harleen and the context of the same with story of Jai and Meera.

Jai feels himself out of sync with Veer's philosophy of Love, where he traveled hundreds of miles for just a sight of his love Harleen. He was also out of sync with Veer's complaints over their mutual "perfectly logical and practical decision". Laughs over Veer that how one could has a Pratigya of having the same girl for next many lives, when he might have not even talked to her for just once till now. But Veer along with changing things in Jai and Meera's life in later days, slowly steps in to mentor this adolescent love story of Jai and Meera.

Will not mention much about the part of Veera and Harleen's story as the same is most beautiful part of the movie and it would be preferable to watch yourself. But the same part really reminded me of many beautiful moments, which each of us might have passed through once and this 'once' will remain the same. Will never be back.

Jai and Meera could be even this much frank that could control even a fraction of jealousy and suggest their 'past partner' to be involved with someone else after breakup, but still the feeling gets its place slowly in, when we know that the other one could take interest in someone else in 'much more way'.

It was really touching to me, when Meera asks Jai about her pairing with her boss and going out for dinner and Jai started feeling the pain even when try hard to ignore. What option we have to answer, when she asks you in the way? You know that your feelings already don't matter or being ignored or she started feeling in another way, a way; where you are not around/ together. You already were feeling the same and preparing yourself, so that she might be happy in whatever, with whomever, but still… perhaps selfish we are. Why we feel pain? Why we cry? I really could have cried. But the same thing, defective piece, practical tough guy, me ;)

If I proceed further, then it will lengthen the review and more over spoil the entertainment of movie, but still can't bear the greed of mentioning the expression, which was beautifully shown on screen that how one looses interest in each thing of life without any logical reason even after achieving best things he ever thought. We rule over career, we hang out with friends, we enjoy now days hi-tech life, but it don't take long that how alone everyone and why we miss someone. I really felt the number "Mai Jo Chahoo Wo Paun". There are many around us, who were brilliant in their lives earlier and now fading up due to reasons even they don't know. Could everyone get the mystery solved?

Heads off to Imtiyaz Ali to engrave the expressions so beautifully on the screen.

The two lovely and meaningful dialogues from the movie were:

"It's very hard to surprise someone after two years."

"Why its so that how many times, you might have said Bye, but it remained always a due; meeting for the last time."

Performances:

We call it perfect, when we find everything matching and it was like the same. We couldn't have imagined the success of movie with such refreshing music of Preetam, we couldn't have imagined any other smile brightening the screen than Deepika's (really reminds me someone), Saif's evolvement as a package, who could really take the whole movie as a Solo now with even taking the part of younger version of Rishi Kapoor and the so beautiful and lovely new girl Giselle Monteiro (Harleen). It's a real treat to have such performance on screen on friendship day.

Reminding you again, you will regret as much you delay watching it. If have watched then re-watch it and if not, then I apologize for taking your precious time in reading this article. Go and watch it.

Edited on 9th August 2009 again to add the lines given below:

As one of my friend asked me about a few things I missed in the article, so I thought to add up a few points again. First of all, I didn't introduced that character of "Jo" was played by Florence Brudenell Bruce. Wait, wait, wait!! Who is this Jo? Sorry, I didn't mentioned anything about. She was the girl, Jai fall for after Meera, while Meera falls for her boss. I really feel sorry about both of them. Jo and Vikram. Specially Vikram; just being confused in what we want, doesn't give us right to hurt someone in a way that he will never fall in love again and will be asking himself that why he deserved that?

Could have written much about, but … … let's keep it short. There was a reason that I skipped to write on the same.

Love Aaj Kal: How practical we can be to handle what we call Love?


We use all the logic to explain things and try to be 'in all the way composed', controlled and logical, but the Almighty-Love remains unexplained and defines its way as "No Reason Reasoning", no matters how much literatures have been spend on it or how much we might have learned from our experiences or other's stories. The time has got just another more realistic expression: The discovery of Love in present context.

Love Aaj Kal

When his girlfriend asks: "Do you love me", Jai, the protagonist of Love Aaj Kal, played by Saif Ali Khan, replies: "Love, who knows what that is?" So, are we? Do we really know what Love is and why we fall in? Let's read something about a movie, which I am going to call The Best Romantic Movie ever seen by me till now. Not because, it's emotional, not because it's modern, not because it's practical, but because its real, very very real. You will regret, as much you delay watching the same. Mind my words, I have never used such praise.

Title: Love Aaj Kal
Release Date: 31st July 2009
Banner: Eros International
Producer: Saif Ali Khan , Dinesh Vijan , Sunil Lulla

Director:
Imtiaz Ali
Cast: Saif Ali Khan, Deepika Padukone, Giselle Monteiro, Shweta Gulati, Neetu Singh, Rishi Kapoor, Rahul Khanna, Vir Das.

Story Writer:
Imtiaz Ali
Music Director: Preetam

Lyrics:
Irshad Kamil

Words of mouth, disappointments on getting All-Booked Status after reaching Multiplexes (that too in Delhi, where you can't find enough good hospital but Multiplexes always nearby), I was sure that Love Aaj Kal was going to bang, after all today's stars Saif and Deepika were looking fantastic in all posters and there was no recent good movie since Dev D, I guess. Film Industry and even the movie goers should have got a sigh of relief with this release, which is sure going to get a reasonable place in all time good romantic movies. The special thing, I noticed was a glimpse of Jab We Met, in the song "Chor Bazari" and a little googling given me the obvious connection, when got to know the name of writer/ director Imtiyaz Ali.

Imtiyaz Ali; it will be the next name after Anurag Kashyap, I will be waiting for watching out. His first movie was Socha Na Tha; A couple, who didn't thought that they are made for each other, the second one was Jab We Met; discovering the commitment of love and now Love Aaj Kal.

Perhaps he knows to pick the best and then get the best from them. The common link between all these movies was the crisp-n-short dialogues and use of bold modern language mixed with traditional cultural hints still scattered between this All-New-Generation. He seems to be in process of silently creating an era like once Yash Chopra created.

Coming over movie, Jai and Meera; a modern age couple meets in London, the first meet clicks enough to share the first romantic kiss and the days pass on figuring out if they are, like, together. That entails mugs of black coffee and lots of smart chatter, and eventually, a parting of ways, because they can't quite get a handle on their feelings. Meera has to India and Jai to US and both of them feel that they are now ahead of the best time they had and now the long distance relationship will only suck. A perfect and logical mutual decision; breaking up with a Breakup Party (Interesting thing na? it was in the movie as well.)

As small para, I have taken here about telling their initial story, the same course of events happened in the same quicker way on the screen; just 15 mins and all above part of story is over, can you believe? Still given a glimpse of many little things as mentioned below.

  1. Many things they don't like, but still like to be with. Like Black Coffee of Jai.
  2. Friends tell them whether they are pair and indeed only friends define that its love. They just accept.
  3. Jai's best aim to reach Golden Gate and Meera's best intrest Fresco; No common interest.
  4. Level of understanding and way of giving space; Boy could expect the girl being understanding that dropping her to home in not the only way to show care.
  5. Common irritation of boys on being girls sometimes too much choosy and concuss while shopping. *That was most interesting point in a way mentioning many things, which were not on screen.

  6. The loss of interest in being committed/ answerable but still coming out in a mutual and outstandingly relaxed and pleasant way for keeping all the good memories intact.

It was nice, but was not the best part of the movie. Movie just started growing up from here and get mixed with another piece of story narrated by now old Veer (Rishi Kapoor), his old age love Harleen and the context of the same with story of Jai and Meera.

Jai feels himself out of sync with Veer's philosophy of Love, where he traveled hundreds of miles for just a sight of his love Harleen. He was also out of sync with Veer's complaints over their mutual "perfectly logical and practical decision". Laughs over Veer that how one could has a Pratigya of having the same girl for next many lives, when he might have not even talked to her for just once till now. But Veer along with changing things in Jai and Meera's life in later days, slowly steps in to mentor this adolescent love story of Jai and Meera.

Will not mention much about the part of Veera and Harleen's story as the same is most beautiful part of the movie and it would be preferable to watch yourself. But the same part really reminded me of many beautiful moments, which each of us might have passed through once and this 'once' will remain the same. Will never be back.

Jai and Meera could be even this much frank that could control even a fraction of jealousy and suggest their 'past partner' to be involved with someone else after breakup, but still the feeling gets its place slowly in, when we know that the other one could take interest in someone else in 'much more way'.

It was really touching to me, when Meera asks Jai about her pairing with her boss and going out for dinner and Jai started feeling the pain even when try hard to ignore. What option we have to answer, when she asks you in the way? You know that your feelings already don't matter or being ignored or she started feeling in another way, a way; where you are not around/ together. You already were feeling the same and preparing yourself, so that she might be happy in whatever, with whomever, but still… perhaps selfish we are. Why we feel pain? Why we cry? I really could have cried. But the same thing, defective piece, practical tough guy, me ;)

If I proceed further, then it will lengthen the review and more over spoil the entertainment of movie, but still can't bear the greed of mentioning the expression, which was beautifully shown on screen that how one looses interest in each thing of life without any logical reason even after achieving best things he ever thought. We rule over career, we hang out with friends, we enjoy now days hi-tech life, but it don't take long that how alone everyone and why we miss someone. I really felt the number "Mai Jo Chahoo Wo Paun". There are many around us, who were brilliant in their lives earlier and now fading up due to reasons even they don't know. Could everyone get the mystery solved?

Heads off to Imtiyaz Ali to engrave the expressions so beautifully on the screen.

The two lovely and meaningful dialogues from the movie were:

"It's very hard to surprise someone after two years."

"Why its so that how many times, you might have said Bye, but it remained always a due; meeting for the last time."

Performances:

We call it perfect, when we find everything matching and it was like the same. We couldn't have imagined the success of movie with such refreshing music of Preetam, we couldn't have imagined any other smile brightening the screen than Deepika's (really reminds me someone), Saif's evolvement as a package, who could really take the whole movie as a Solo now with even taking the part of younger version of Rishi Kapoor and the so beautiful and lovely new girl Giselle Monteiro (Harleen). It's a real treat to have such performance on screen on friendship day.

Reminding you again, you will regret as much you delay watching it. If have watched then re-watch it and if not, then I apologize for taking your precious time in reading this article. Go and watch it.

Edited on 9th August 2009 again to add the lines given below:

As one of my friend asked me about a few things I missed in the article, so I thought to add up a few points again. First of all, I didn't introduced that character of "Jo" was played by Florence Brudenell Bruce. Wait, wait, wait!! Who is this Jo? Sorry, I didn't mentioned anything about. She was the girl, Jai fall for after Meera, while Meera falls for her boss. I really feel sorry about both of them. Jo and Vikram. Specially Vikram; just being confused in what we want, doesn't give us right to hurt someone in a way that he will never fall in love again and will be asking himself that why he deserved that?

Could have written much about, but … … let's keep it short. There was a reason that I skipped to write on the same.

Dev D: Are we mature enough to handle, what we call as Love?

    We wish to hold our obsessions and egos all together and when loose it then loose it all of sudden to destroy everything to an extent, from where even we don't leave any place for other to come back. Were we ever wished that? If not, then why? Some questions can't be answered, if you didn't went with all your selfless thoughts. I know it's never been fully possible and so is love. No one is mature enough to handle, what we call Love. This is all what Dev D is.    

    After No Smoking, Anurag Kashyap's another venture, which was already raising many speculations even much before its release. No Smoking was a different concept and a different approach for cinema and I appreciated whole heartedly the same, but I was not expecting that I will come up with all praises again for the same talented director in his next movie as well. Thumbs up for Anurag Kashyap. A good time for Ronnie Screwwala as well, because he is getting his name associated with ventures like Fashion and Dev D.

Title: Dev D
Release Date: 6th February 2009
Banner: UTV Spot Boy.
Producer: Ronnie Screwwala
Director:
Anurag Kashyap
Assistant Director: Vasan Bala, Anand Vijayraj Singh Tomar

Cast:
Abhay Deol, Kalki Koechlin, Mahie Gill, Dibyendu Bhattacharya.
Story Writer:
Anurag Kashyap, Vikramaditya Motwane
Music Director: Amit Trivedi
Lyrics:
Mani , Amitabh Bhattacharya
Cinematography: Rajeev Ravi
Screen Play:
Madhur Bhandarkar, Anuradha Tiwari, Ajay Monga
Playback:
Amit Trivedi, Aditi Singh Sharma, Bony Chakravarthy, Joi Barua, Kshitij, Labh Jajua, Mani, Shruti Pathak, Shilpa Rao, Toshi

    As I given the title, that's what one exactly felt after watching the same. Either it was Dev or Paro or Romita or Chanda, all were been somewhat confused with what, they call as love. Obsession-misunderstanding, practical-impractical things, devotion-mischief; love moves along with lots of shades. We hears so many times, but never get to feel without enough maturity with emotions that love is not something to be won, but to lose yourself. We know that we are wrong, but still we want ….

    As we all heard about movie, it's a modern presentation of Sharatchandra's Devdas, which already been attempted in its original version by Indian Cinema twice. Such a presentation is expected to get words of many kinds; some may say too much experimentations, some may say very intense, some call it as 'Emotional Atyachar', some might come up to say that its ruining the spirit of novel, but I stand by the Director's view, who taken the subject very originally and brilliantly. He reminded me the structure of the novel "Gunaho Ka Devta"
by
Dharamveer Bharati,
which I come to read in my graduation times. He reminded of many things, I might have passed through or had seen. I was really really thrilled and that's why this time, it was due that I should come up with a long review over this movie, as I already seen misunderstood views over this movie. Anurag has taken it as a gas chamber of confined meanings, where one fought long and hard to survive.

The movie always had two sides and the storyline gives reasons for both. It gives fully segregates views and elevates one or the other at places. Dev is ashamed of what he did, but not ready to accept at the first place and Paro, why will she move more, when she already given herself as much she could have? Dev was not able to give grace to what he has once, as he got it as granted and never got time to think over it what he has and why? Most of us never do and when regret, its too late. We know that we are at wrong place, from where there is no place to go either back or forth without loosing and we don't wish to loose. Each sacristy leaves us more and more away.

Is there any solution, when we closed all the ways ourselves? The movie doesn't come up with solutions as one can't change the basic nature even if he/ she try for best. But one really can learn, if wish to learn.

I know, it would make the review looking much bore, but let me come up with the analysis of characters and situations. Don't know that I would be able to write proper lines to express myself, but I really felt myself at every place either it be Dev or it be Paro or it be Chanda.


 

Dev: The central character of the movie; the Devdas, who never learnt to be patient, who never was able to move forward to hold, who never was able to loose the strings to make things right. An abused child, who never found himself normal with family relations and kept on destroying his innocence. An anger, who doesn't know the limits and directions. He is rude, he is hard and he kept on getting all spoiled.

Just one thing, which he wants is Paro. Does he really want? Why he want? He could name, but can't feel it, as he always been in so much negativities that never found himself thinking anything. He can't bear even one comment back, he can't bear anyone hurting him. He will answer back for sure. He never wished that it might be Paro on the other end to face his anger, but when we love, then get hurt in same way and when we hate, we hit as harder as we can.

He is rude enough to chew hands of Paro as he know, she won't leave him, he is innocent enough to express his desire to see her nude pics as he might have seen things like that in culture of abroad, he is immature enough not to feel what she goes through, when have to get snaps washed from outside the city and then to scan them to send, he is immature enough not to feel that she has parents and her life been different than him. He could leave Paro lonely in field hurt from inside and still wont give second thought against his hate. He might have came back if in marriage haven't seen Sunil saying the same words to Paro's father, which he thought himself be saying. He was not able to think after it… just not able to …. Neither he was ever able to answer himself that why Paro loves in this way? Popular reasons are what always come to hit your mind first and the popular ends.

The problem is all he feels that he never got anything and now not even wishes for anything. Whatever he gets is easy for him and so he never thankful for the same. He move into weak moments with Romita and on hearing words about Paro in same way, thinks that why can't she as he has been always away. When he himself like this everyone around him like this, then why can't Paro be? His thoughts always been immature and he never came to feel anything. Neither family nor career nor anything else been important for him than his immediate self. When Paro comes to him last time, then what he thought was presentation of how much immature, he always been.

He never taken Romita more than a slut and kept on insulting Chanda till he came to know that what she gone through in her life. Chanda's maturity in such a younger age made him realizing thing slowly and he came to feel that what he did, what he wished, what can't be undone. He tried to move on with Chanda, but again similar misunderstanding made him back on the same. Although at the end, original theme of novel is altered to show him coming back… but …

But I really don't know that will he ever get a life like others? Could he ever be happy? Yeah! Everyone will blame him only, but when he got the normal life? His only crime, no one told him to attempt in proper ways for making his life better and he knows it can't be ….


 

Paro: The pain given to Paro's character in this movie was much more enough than given to Paro in original version. Are girls always so mad in love that could go for snapping herself nude and giving the reels to a public photographer even if it's of a distant place? Yes! They are sometimes. Can't even see something against the same, faith hurts most of the times. Paro knows that Dev is not here to feel anything, even if she tries from words. But she knows that he has no one except her. Why we get into hurry of naming emotions in early ages? She believes that once she would be having all rights over his life, then she will make everything fine for them, but …

After getting alleged of having relations with Sunil, Paro was just not able to keep her reaction patient enough. Was that her fault? What you expect from her? How many certificates, she needs to give? She really was nothing more left in her hands, when she given herself completely. I really don't know that what she could have done to save the relations? Was holding herself from bursting at that moment going to be enough? Really no one wishes to be in place of this Paro. But the same is with Dev and Chanda, who wishes to be at place of them? I really went into tears, when watched Paro dancing in full swing at her own marriage.

Really few of you people will able to understand that waiting in love ask for how much maturity otherwise without that you will end up hurting yourself more and hating everyone around you including the one you love.

Even then, she comes back to meet him as she really wished to see him happy, whatever he might have done to her. She figures out the exact words to ask only at the end, 'Dev!! What's this "I want to love you" in place of "I love you"? Do you still know anything Dev? Was not my wait going to be forever?'

I again call the character of Paro not mature enough. Yes! It has its grace and patience but still.

We often see boys proposing girls and girls accepting the same due to momentary thrills or due touching moments or just because she can't deny it, without realizing that what they really want. Both the sides, either girls or boys don't really know.

Everyone blames that most of the affairs fail, but just tell me, how much of them been standing on well thought reasons? She is beautiful, he is cute, she is hot, he is rich enough, girls follow him, boys will envy, if she is with me…… just this??? Paro says to Sunil that "have you seen that what you are before wishing for me?" Paro!! Tell me… you are comparing for what??? Answers are right there.

Do people really know what love means? We don't' realize till we have life around us and when will we (may be never), then it's too late to realize; what we always ignored and what was right for us. Unfortunately, most of us can't be special enough to see the world from real glasses and everything would be termed in limits of popular words only and so the fate will be limited as well.

I really think only age and time makes us able to …. Love will be blamed like this always. Sorry Paro… your all efforts gonna to be in vein only. It's not like that choice of person has to be blamed, but the compromises you made were high enough as you can't make more … Not everyone able to make the right choice and also not everyone able to come back in time, before getting hurt or loosing something which can't be undone. Paro will never be able to love or to be loved without any crime from her side except ….


 

Chanda: The character was realized on screen with sensational (?) DPS girl scandal. The girl got in news overnight after that sensational MMS and no one really cared that what she will go through. It was not her mistake, but was immaturity of decisions… not only of having faith but of having wrong choice as well. We take steps in tempo of what people might be saying around us, in tempo of praises we see in eyes of people, when we are with someone special. But everything seems to be so hollow, when we really will need in our loneliness. She finds herself open to be a sex worker only after suicide of her father as she never earned someone to hold her, when she was able to come back to life.

She meets Dev and come to see him and found him in deep pain, which he can't show to anyone as he finds only himself guilty. She come to see her image in Dev upto somewhat extent, as even he is moving on a path, he won't be able to come back ever.

She for the first time in Dev's life, clearly says that what Paro did was right as you never loved her. Even when you realized that it was your entire fault, there was time to come back, but it was your ego in between even after mistaking. How could you claim that it was love, if you were not able to come back?

Chanda leaves her chosen life as sex worker, which was forced over her in a way; not for Dev, but for herself. She becomes another Paro of Dev's life…. the same selfless girl, who is ready to do everything for him, without wishing anything back in return.

I should warn everyone, it's not just a piece of entertainment, but it would be hard to go through in both the way, either you feel it from inside or you not. Think twice before watching, but if watch, then don't dare to rant anything wrong about it outside, because it means that you didn't learned anything like Dev in most part of his life. For me, it's something, you need to watch again and again over times to feel, to find…

Abhay Deol: Really he given full justice to the role, he was given. Although I feel that John of No Smoking was also able to do justice (sorry for being blunt), but that doesn't take any credit back from the talented Deol. He is really on a roll with offbeat films again and again. I rate him higher than Shahrukh or Dilip Kumar in other versions.

Mahie Gill: What a superb role as debut!!! She was as brilliant as a Paro might be. Beautiful, graceful, expressive….. she is a born actress for sure. She shows all shades as much the director might have desired. I will be really looking for her next movies.

Kalki Koechlin: Her English looks might keep her away from mainstream cinema, but she was brilliant for her role. She was as tender as the role might have dreamed and at the same time as mature in acting that may make you feel that she is somewhere of between us.

At the end, all praises for the talented director Anurag Kashyap. Full Marks to you for the kind of cinema, you are giving to Bollywood.

Dev D: Are we mature enough to handle, what we call as Love?

    We wish to hold our obsessions and egos all together and when loose it then loose it all of sudden to destroy everything to an extent, from where even we don't leave any place for other to come back. Were we ever wished that? If not, then why? Some questions can't be answered, if you didn't went with all your selfless thoughts. I know it's never been fully possible and so is love. No one is mature enough to handle, what we call Love. This is all what Dev D is.    

    After No Smoking, Anurag Kashyap's another venture, which was already raising many speculations even much before its release. No Smoking was a different concept and a different approach for cinema and I appreciated whole heartedly the same, but I was not expecting that I will come up with all praises again for the same talented director in his next movie as well. Thumbs up for Anurag Kashyap. A good time for Ronnie Screwwala as well, because he is getting his name associated with ventures like Fashion and Dev D.

Title: Dev D
Release Date: 6th February 2009
Banner: UTV Spot Boy.
Producer: Ronnie Screwwala
Director:
Anurag Kashyap
Assistant Director: Vasan Bala, Anand Vijayraj Singh Tomar

Cast:
Abhay Deol, Kalki Koechlin, Mahie Gill, Dibyendu Bhattacharya.
Story Writer:
Anurag Kashyap, Vikramaditya Motwane
Music Director: Amit Trivedi
Lyrics:
Mani , Amitabh Bhattacharya
Cinematography: Rajeev Ravi
Screen Play:
Madhur Bhandarkar, Anuradha Tiwari, Ajay Monga
Playback:
Amit Trivedi, Aditi Singh Sharma, Bony Chakravarthy, Joi Barua, Kshitij, Labh Jajua, Mani, Shruti Pathak, Shilpa Rao, Toshi

    As I given the title, that's what one exactly felt after watching the same. Either it was Dev or Paro or Romita or Chanda, all were been somewhat confused with what, they call as love. Obsession-misunderstanding, practical-impractical things, devotion-mischief; love moves along with lots of shades. We hears so many times, but never get to feel without enough maturity with emotions that love is not something to be won, but to lose yourself. We know that we are wrong, but still we want ….

    As we all heard about movie, it's a modern presentation of Sharatchandra's Devdas, which already been attempted in its original version by Indian Cinema twice. Such a presentation is expected to get words of many kinds; some may say too much experimentations, some may say very intense, some call it as 'Emotional Atyachar', some might come up to say that its ruining the spirit of novel, but I stand by the Director's view, who taken the subject very originally and brilliantly. He reminded me the structure of the novel "Gunaho Ka Devta"
by
Dharamveer Bharati,
which I come to read in my graduation times. He reminded of many things, I might have passed through or had seen. I was really really thrilled and that's why this time, it was due that I should come up with a long review over this movie, as I already seen misunderstood views over this movie. Anurag has taken it as a gas chamber of confined meanings, where one fought long and hard to survive.

The movie always had two sides and the storyline gives reasons for both. It gives fully segregates views and elevates one or the other at places. Dev is ashamed of what he did, but not ready to accept at the first place and Paro, why will she move more, when she already given herself as much she could have? Dev was not able to give grace to what he has once, as he got it as granted and never got time to think over it what he has and why? Most of us never do and when regret, its too late. We know that we are at wrong place, from where there is no place to go either back or forth without loosing and we don't wish to loose. Each sacristy leaves us more and more away.

Is there any solution, when we closed all the ways ourselves? The movie doesn't come up with solutions as one can't change the basic nature even if he/ she try for best. But one really can learn, if wish to learn.

I know, it would make the review looking much bore, but let me come up with the analysis of characters and situations. Don't know that I would be able to write proper lines to express myself, but I really felt myself at every place either it be Dev or it be Paro or it be Chanda.


 

Dev: The central character of the movie; the Devdas, who never learnt to be patient, who never was able to move forward to hold, who never was able to loose the strings to make things right. An abused child, who never found himself normal with family relations and kept on destroying his innocence. An anger, who doesn't know the limits and directions. He is rude, he is hard and he kept on getting all spoiled.

Just one thing, which he wants is Paro. Does he really want? Why he want? He could name, but can't feel it, as he always been in so much negativities that never found himself thinking anything. He can't bear even one comment back, he can't bear anyone hurting him. He will answer back for sure. He never wished that it might be Paro on the other end to face his anger, but when we love, then get hurt in same way and when we hate, we hit as harder as we can.

He is rude enough to chew hands of Paro as he know, she won't leave him, he is innocent enough to express his desire to see her nude pics as he might have seen things like that in culture of abroad, he is immature enough not to feel what she goes through, when have to get snaps washed from outside the city and then to scan them to send, he is immature enough not to feel that she has parents and her life been different than him. He could leave Paro lonely in field hurt from inside and still wont give second thought against his hate. He might have came back if in marriage haven't seen Sunil saying the same words to Paro's father, which he thought himself be saying. He was not able to think after it… just not able to …. Neither he was ever able to answer himself that why Paro loves in this way? Popular reasons are what always come to hit your mind first and the popular ends.

The problem is all he feels that he never got anything and now not even wishes for anything. Whatever he gets is easy for him and so he never thankful for the same. He move into weak moments with Romita and on hearing words about Paro in same way, thinks that why can't she as he has been always away. When he himself like this everyone around him like this, then why can't Paro be? His thoughts always been immature and he never came to feel anything. Neither family nor career nor anything else been important for him than his immediate self. When Paro comes to him last time, then what he thought was presentation of how much immature, he always been.

He never taken Romita more than a slut and kept on insulting Chanda till he came to know that what she gone through in her life. Chanda's maturity in such a younger age made him realizing thing slowly and he came to feel that what he did, what he wished, what can't be undone. He tried to move on with Chanda, but again similar misunderstanding made him back on the same. Although at the end, original theme of novel is altered to show him coming back… but …

But I really don't know that will he ever get a life like others? Could he ever be happy? Yeah! Everyone will blame him only, but when he got the normal life? His only crime, no one told him to attempt in proper ways for making his life better and he knows it can't be ….


 

Paro: The pain given to Paro's character in this movie was much more enough than given to Paro in original version. Are girls always so mad in love that could go for snapping herself nude and giving the reels to a public photographer even if it's of a distant place? Yes! They are sometimes. Can't even see something against the same, faith hurts most of the times. Paro knows that Dev is not here to feel anything, even if she tries from words. But she knows that he has no one except her. Why we get into hurry of naming emotions in early ages? She believes that once she would be having all rights over his life, then she will make everything fine for them, but …

After getting alleged of having relations with Sunil, Paro was just not able to keep her reaction patient enough. Was that her fault? What you expect from her? How many certificates, she needs to give? She really was nothing more left in her hands, when she given herself completely. I really don't know that what she could have done to save the relations? Was holding herself from bursting at that moment going to be enough? Really no one wishes to be in place of this Paro. But the same is with Dev and Chanda, who wishes to be at place of them? I really went into tears, when watched Paro dancing in full swing at her own marriage.

Really few of you people will able to understand that waiting in love ask for how much maturity otherwise without that you will end up hurting yourself more and hating everyone around you including the one you love.

Even then, she comes back to meet him as she really wished to see him happy, whatever he might have done to her. She figures out the exact words to ask only at the end, 'Dev!! What's this "I want to love you" in place of "I love you"? Do you still know anything Dev? Was not my wait going to be forever?'

I again call the character of Paro not mature enough. Yes! It has its grace and patience but still.

We often see boys proposing girls and girls accepting the same due to momentary thrills or due touching moments or just because she can't deny it, without realizing that what they really want. Both the sides, either girls or boys don't really know.

Everyone blames that most of the affairs fail, but just tell me, how much of them been standing on well thought reasons? She is beautiful, he is cute, she is hot, he is rich enough, girls follow him, boys will envy, if she is with me…… just this??? Paro says to Sunil that "have you seen that what you are before wishing for me?" Paro!! Tell me… you are comparing for what??? Answers are right there.

Do people really know what love means? We don't' realize till we have life around us and when will we (may be never), then it's too late to realize; what we always ignored and what was right for us. Unfortunately, most of us can't be special enough to see the world from real glasses and everything would be termed in limits of popular words only and so the fate will be limited as well.

I really think only age and time makes us able to …. Love will be blamed like this always. Sorry Paro… your all efforts gonna to be in vein only. It's not like that choice of person has to be blamed, but the compromises you made were high enough as you can't make more … Not everyone able to make the right choice and also not everyone able to come back in time, before getting hurt or loosing something which can't be undone. Paro will never be able to love or to be loved without any crime from her side except ….


 

Chanda: The character was realized on screen with sensational (?) DPS girl scandal. The girl got in news overnight after that sensational MMS and no one really cared that what she will go through. It was not her mistake, but was immaturity of decisions… not only of having faith but of having wrong choice as well. We take steps in tempo of what people might be saying around us, in tempo of praises we see in eyes of people, when we are with someone special. But everything seems to be so hollow, when we really will need in our loneliness. She finds herself open to be a sex worker only after suicide of her father as she never earned someone to hold her, when she was able to come back to life.

She meets Dev and come to see him and found him in deep pain, which he can't show to anyone as he finds only himself guilty. She come to see her image in Dev upto somewhat extent, as even he is moving on a path, he won't be able to come back ever.

She for the first time in Dev's life, clearly says that what Paro did was right as you never loved her. Even when you realized that it was your entire fault, there was time to come back, but it was your ego in between even after mistaking. How could you claim that it was love, if you were not able to come back?

Chanda leaves her chosen life as sex worker, which was forced over her in a way; not for Dev, but for herself. She becomes another Paro of Dev's life…. the same selfless girl, who is ready to do everything for him, without wishing anything back in return.

I should warn everyone, it's not just a piece of entertainment, but it would be hard to go through in both the way, either you feel it from inside or you not. Think twice before watching, but if watch, then don't dare to rant anything wrong about it outside, because it means that you didn't learned anything like Dev in most part of his life. For me, it's something, you need to watch again and again over times to feel, to find…

Abhay Deol: Really he given full justice to the role, he was given. Although I feel that John of No Smoking was also able to do justice (sorry for being blunt), but that doesn't take any credit back from the talented Deol. He is really on a roll with offbeat films again and again. I rate him higher than Shahrukh or Dilip Kumar in other versions.

Mahie Gill: What a superb role as debut!!! She was as brilliant as a Paro might be. Beautiful, graceful, expressive….. she is a born actress for sure. She shows all shades as much the director might have desired. I will be really looking for her next movies.

Kalki Koechlin: Her English looks might keep her away from mainstream cinema, but she was brilliant for her role. She was as tender as the role might have dreamed and at the same time as mature in acting that may make you feel that she is somewhere of between us.

At the end, all praises for the talented director Anurag Kashyap. Full Marks to you for the kind of cinema, you are giving to Bollywood.

Fashion; you never know that from where lines get crossed

Sometimes expectations force you to take on complicated projects. After watching the movie, I knew that writing a review over such fine grained piece of work would be tougher as one needs to get it readable means compact in size, but the details it touches… Anyway….


The well advertised and well announced movie, which was awaited from long. Fashion world; I really unable to find many names, when I think of films fine graining realities of Fashion world in this much closer ways.


After an unnoticed debut with "Trishakti", Chandni Bar, Satta, Page 3, Corporate and now Fashion, Madhur Bhadarkar now seems to be settled in big ranks and only after Fashion some people like me will be waiting for his next projects for sure. He really amazed me with his fine graining and also leaving some things over the viewer's notice only, kind of a unique presentation.I could claim that this remarkably mature film is Madhur's most accomplished work till now, even if Page 3 was a fine grained attempt, but it was somewhat on a lesser larger scale. He seemed to be Brand Ambassador of new age Realistic Cinematography.


Title: Fashion
Release Date: 14th November 2008
Banner: Bhandarkar Entertainment, UTV Motion Pictures.
Presenter: UTV Motion Pictures
Producer: Ronnie Screwwala
Director:
Madhur Bhandarkar
Cast:
Arjan Baweja, Kangna Ranaut, Kittu Gidwani, Priyanka Chopra, Mugdha Godse, Arbaaz Khan, Harsh Chaaya, Sameer Soni, Ashwin Mushran, Suchitra Pillai, Raj Babbar, Kiran Juneja
Guest Appearances:
Madhur Bhandarkar, Manish Malhotra, Karan Johar, Konkana Sen Sharma, Ranvir Shaury and many more…
Production Design:
Nitin Chandrakant Desai
Music Director:
Salim Marchant, Sulaiman
Lyrics:
Sandeep Nath & Irfan Siddique
Story Writer: Ajay Monga
Edited by: Deven Murdeshwar
Cinematography: Mahesh Limaye
Screen Play:
Madhur Bhandarkar, Anuradha Tiwari, Ajay Monga
Dialogues:
Niranjan Iyengar
Costume Stylist: Rita Dhody
Publicity Designer: Marching Ants



First let's discuss what one think of Fashion world while standing outside this mysterious world, just by watching a few occasional Fashion shows on FTV. We wonder that how come…



  1. How come all the model seems to be so overly stone faced and under extremely hyper makeup without any reason? Do they feel any emotion? Do they live in this world?


  2. How much attitude they seem to carry, aren't they seem to selling cloths to aliens only?


  3. How much true the often rumors of exploitation of models and stealing of so much acclaimed designs? Wardrobe malfunctions, Casting couches?


  4. What about Fashion's high society wild life showcasing Gay relations and drugs all around?


These were the initial question before watching the movie and it gives attentions to all these in one way or another. Still lots of things remained untouched, but one project can't address everything, still many things left about Fashion world. Even then in the way, this movie satisfies critics, no one stands parallel to it.


This movie is about a girl named Meghna (Priyanka Chopra), who after winning a local beauty contest extends her dreams, to the biggest sky of Fashion World. The girl had a dream and at the same the determination to make it reality, she makes it, but with what she passes through tells many things to the people dreaming for entering into the practical world.


Meghna with her acquaintance Rohit (Ashwin Mushran) starts to interact with pieces of the real world. She comes to meet a few later on closer friends like Janet (Mugdha Godse) and Rahul (Harsh Chhaaya) and Manav Bhasin (Arjan Baweja) in next few happenings and in dramatic ways with just a flip of eyes finds her in front of big names like Anisha Roy (Kittu Gidwani) owner of biggest Profile Agency for Fashion World and Abhijeet Sareen (Arbaaz Khan) acclaimed Big Daddy of Fashion World, owner of biggest company Panache for fashion world.


Once her dream Sonali Nagpal (Kangna Ranaut), soon finds herself replaced by Meghna; not only because of being a new face, but many little things adding into it. Meghna starts running, slowly missing the real world around in her pace. Everything seems to happen logically, in her practical winning eyes till she comes feel that she committed just a few mistakes.


Meghna becomes an overnight success and is everywhere – right from being the showstopper at the biggest fashion shows in town to fashion magazine covers to print ads to TV commercials. The overnight success spoils Meghna and the budding love relationship between her and Manav also comes to an abrupt end. Meghna never gets to know that when she went alike Sonali; the same arrogance, the same freaking and the same fate. Her feet stops only when she finds herself naked in bed with an stranger Black Man for a night stand in overdose of Drug. The ignition of the plot (Sonali Nagpal) seems is taken from the incident of Geetanjali Nagpal; an Ex-Model turned Drug Addict and then found begging on New Delhi streets. I think people should check out following links for the same story









Meghna still finds herself under a shelter due to support of her family, where she come back after that night leaving everything behind. One year passes and after giving all thoughts, she comes back. Comes back to find her all left friends, comes back to tell herself that the mistakes could be altered, comes back to know that is the same fate name of Fashion?


Learning from her mistakes, getting her old friends back as she were true from her once in front of them, she again come to face the world. Trembles once, but relations again come to give her chance to win and when she reaches the edge of making it, she found herself losing Sonali, now days under her guardianship. The message was clear… not everyone gets chances to come back.


This was the story, which was so fine grained that you didn't found many even if you try for the flaws. Yes, it has its share of flaws like being too lengthy almost 3 hours (2 hours and 50 mins precisely) and missing details from others side than the "showstopper" herself, but for me, it was justified for a critic point of view and thanks to Madhur, he didn't compromised.


What I really got amazed about was the look and attitude engraved by Kangna. She really looked like a super model, somewhere Priyanka was way behind her, even after her till now best emotional appearance on her credits, somewhere Kangna leaves other behind by stone faced presence and perfection on stage like I myself went on googling that if she hails from Fashion world and I admire her most as she was not. But for me, she proving herself as a find for film industries.


Second fact that was troubling me was "Are all designers and people involved backstage in Fashion Industry seems to be Gay?" Madhur admits here


Really feeling so so much about this movie, but it's been just a little late and many good things has been said about this movie, so better to watch the movie with full attention than just reading the review. Although for insights of characters, you may check out review on Wikipedia


The scenes I loved from the movie are plenty, but the meaningful to me were the following:



  1. The first fashion show pictured in this movie, probably the most authentic and impressing one.


  2. When Kangna doesn't turn back after wardrobe malfunction and we still confused that it was coincidence or …


  3. When Meghna answers to Abhijeet in front of his wife Avantika (Suchitra Pillai).


  4. When Meghna woke up from bed and gets herself naked with a stranger.


  5. When Meghna finds Manav moved on in his life.


  6. When under tears Meghna still finds her way to walk on Ramp finally with full confidence with straight eyes in front of all cameras.


Do you need any reasons to watch the movie? Are you still confused and waiting for others approvals and opinions? Don't think even once, it's the Show Stopper… go for it.